May 15, 2010
Silver Spring, Maryland
I’ve been working on converting my “junk” closet into a walk-in clothes closet. Surprisngly simply changing which closet I hang my clothes in has made a huge difference in me actually hanging them up (as opposed to piling them on the bed for weeks and weeks as the sleeping space grows smaller and smaller. . . but I digress).
I bought this poster years ago on EBay—before I’d even been to Au Bon Marche for real—and had it mounted “billboard-style.” I almost gave it away as it’s been in storage for a few years, but I’m glad I never got around to it. The letterpress print is by Dylan Fareed courtesy of 20×200.com in a giltwod thrifted frame. I’m also rebuilding my milk glass collection, which sorta disappeared somewhere between Takoma Park and Silver Spring.
This was my weekend project. This is one side of a triptych of framed screen that was made for hanging jewelry. I think it works better as a one-sie myself. (The ceramic tile is also thrifted—I bought it because it reminded me of how much I loved visiting New Mexico.)
The screen on this panel was ripped, so I just tore it all off and jerry-rigged something from strips of fancy yarn and hookeye screws. I had actually seen something similar on one of the blogs I follow—an empty photo frame with the earrings hung from wire stretched across the back.—and I’d been dying to try it. (BTW, the middle section, which also has five pegs for necklaces, is currently under the coffee table awaiting its final upcycling.)
As you can tell I sorta buy green earrings obsessively. Seeing them all hanging in a row every time I walk by the closet (both earring frames are on the outside walls of the closet) is making me very happy indeed.
“1 + 1” (Bedroom, Sligo Avenue, Silver Spring, Maryland)
Here’s my Dylan Fareed letterpress print from 20×200.com in a frame I bought at the Grace Episcopal thrift store yesterday for $1.00. I like how the baroque frame both contrasts with and complements the unadorned but rounded font of the text. You can’t tell from this picture, but the frame is gilded wood, which makes me think of the actual wooden blocks used for handprinting. I was fortunate enough to speak with Dylan on Friday (for work), and I learned that his art practice is primarily about collaboration. So not only is it quite rare to have a piece for which he is both artist and printer, but the sentiment speaks very much to who he is as an artist (though, I think it was actually inspired by a love affair). It’s also a good reminder to me that sometimes I need to ask for help and stop going it alone all the time. Practice makes perfect (or something close), right?